Showing posts with label Progressive Metal. Show all posts
Showing posts with label Progressive Metal. Show all posts

Tuesday

Hourswill “Harm Full Embrace” (Ethereal Sound Works, 2017)




O segundo álbum de estúdio dos Lisboetas Hourswill apresenta uma banda mais madura, apesar das grandes mudanças de formação que sofreu. O que se nota logo à partida é a mudança de vocalista, passando a exercer essa fundação Leonel Silva (Mindfeeder). As vocalizações passam agora a ser completamente limpas e os (ocasionais) guturais do primeiro álbum (“Inevitable”) desaparecem. Não tendo eu nada contra os guturais, creio que este registo assenta melhor à banda, criando inclusive uma alternativa ao Metal moderno que, se não tiver vocalizações mais rasgadas, não vende. Caso sejam novos à sonoridade da banda, esta assenta numa onda de Metal Progressivo lento e pesado mas com muita melodia, com vastas influências do Power dos 90s e Doom tradicional. A banda está a criar a sua própria identidade mas nomes de referência são sempre uma ajuda para atrair potenciais ouvintes. Neste caso podemos salientar nomes tão diversos como Nevermore, Morgana Lefay, Fates Warning, Tad Morose, Evergrey, Heathendoom ou Candlemass, por exemplo. Uma boa aposta no campo do Progressive Metal feito em terras lusas, género que infelizmente escasseia por estas bandas.
RDS. 80%

Sunday

Fénix #1047 - 18/06/2014



01 Ligro - Don Juan (Dictionary 2 2012) Moonjune
02 Mahogany Frog - Flossing With Buddha (Senna 2012) Moonjune
03 Miriodor - Scarabée (Parade 2005) Cuneiform
04 Zaar - Scherzo # C (Zaar 2006) Cuneiform
06 Miosótis - Coda (O Monstro E A Sereia 2005) Gaita de Sonhos
07 Fadomorse - Renasce A Tempo (Fadomorse 2012) Ethereal Sound Works
08 Riding Pânico - Running Kids (Lady Cobra 2008) Raging Planet
09 Arena - A Crack In The Ice (The Visitor 1998) Verglas
10 Mostly Autumn - Broken Glass (Storms Over Still Water 2005) Autumn
11 The Flower Kings - Underdog (Space Revolver 2000) Inside Out
12 Spock's Beard - Thoughts (Part II) (V 2000) Inside Out
13 Parallel Mind - Opposite Of Know (Colossus ADEA 2005) Unicorn
14 Nil - 198 (Nil Novo Sub Sole 2005) Unicorn
15 Ros Seresyothea  - Jam 10 Kai Theit (Wait Ten Months More) (The Rough Guide To Psychedelic Cambodia 2014) World Music Network
16 Asha Bhosle - Yeh Mera Dil Yaar Ka Diwana  (The Rough Guide To Psychedelic Bollywood 2013) World Music Network
17 Ahmad Al-Harazi - Amsi Sameer Al-Nojoom (Night Stars Watcher) (Qat, Coffee & Qambus Raw 45s From Yemen 2013) Dust To Digital
18 Bunyong Ketkhong - Doi Rup (Thailand) (Longing for the Past The 78 rpm Era in Southeast Asia 2013) Dust To Digital
19 Namphueng Boribun - Nak Kamphra (Luk Thung Classic & Obscure 78s From The Thai Countryside 2013) Dust To Digital
20 Jun Togawa - Konchugun (Tamahime Sama 1984) Yen
21 Vali - Nordavindens Klagesang (Skogslandskap 2013) Auerbach Tonträger
22 Zu - Solar Anus (Igneo 2002) Amanita
23 Dusan Jevovic - Am I Walking Wrong (Am I Walking Wrong 2013) Moonjune
24 Roine Stolt - Head Above Water (Wall Street Voodoo 2005) Inside Out
25 Dream Theater - The Looking Glass (Dream Theater 2013) Roadrunner

Wednesday

Fénix #1039 – 20 / October / 2013



·         Dream Theater - The Enemy inside (Dream Theater, 2013)
·         Dream Theater - Illumination Theory (Dream Theater, 2013)
·         Dream Theater - Lost Not Forgotten (A Dramatic Turn Of Events, 2011)
·         Dream Theater - A Nightmare To Remember (Black Clouds & Silver Linings, 2009)
·         Dream Theater - The Root Of All Evil (Octavarium, 2004)
·         Dream Theater - Octavarium (Octavarium, 2004)
·         Dream Theater - In The Presence Of Enemies - Part II (Systematic Chaos, 2007)
·         Dream Theater - As I Am (Train of Thought, 2003)
·         Dream Theater - Pull Me Under (2007 Remix) (Greatest Hit (...And 21 Other Pretty Cool Songs), 2008)

Thursday

Heathendom - Interview October 2012


1.         The latest album “The Symbolist” was released more than a year ago through Metal On Metal. Tell us a little bit about the whole process (composing, recording, production).

- After finishing our “Nescience” album, an album that we have been working for 2 years, we tried to evolve our music style. We kept the same composing method but we added some thrash and prog elements. As a band we always depend on our theatricality, we try to create pictures with our songs so the lyrics are quite important when it comes to composing. We recorded again in our personal studio where we have the full control of everything. The result in my opinion is heavier than “Nescience” more diverse but it maintains our identity.

2.         After 3 albums on this Italian label, what are your thoughts on this collaboration?

- Metal on Metal Records believed and invested in us from the start and we are grateful for that. They are true heavy metal fans but also absolutely professional.

3.         This record is a blend of different styles and influences, ranging from US Power to Doom Metal, from Progressive Metal to horror soundtracks. Some bands are referred in your press-release and the internet as your main influences and, I must say, those are the obvious names that come to mind first. But I would like you to expand on your musical influences and preferences.

- We can say names all night. The key is that every member has different influences and background that all contribute in the final result. Lefteris is into soundtracks, very influenced by Danny Elfman, and US and Scandinavian power metal, Michail has more thrash references, Yiannis is a fan of traditional doom/death, and I am more in to progressive music with Neil Peart being my biggest influence in drumming and lyrics. In the end we have a blend that combines all the above in a way that we are all satisfied.

4.         Would you like to highlight and explain some of the lyrics in “The Symbolist”? Is there a concept behind the lyrics of this album? I’m asking this because I don’t have access to the lyrics, but it seems to me that there is an overall feel to the album as a whole. As if we were listening to an epic saga and the images are running through our imagination. Perhaps it’s just how I’m reacting to the music itself and the theatrical vocals.

- Well, yes and no. The songs have clearly a unity while speaking of different things. The songs have a strong anti-religion/nihilistic core. Speaking about the songs I wrote, I wanted to explore the conditions that lead human to create and worship gods, the continuous struggle to explain Reason and the relationship between man and authority of any kind.

5.         After more than a year apart from the release, what’s the balance in terms of reactions from the press and fans? What about live shows?
 
- Well, the reaction from the press was quite enthusiastic. We received only positive reviews and the fans showed that they enjoined “The Symbolist”. We also made our first video for the homonymous song and that helped us to expand our fanbase. We try to play live as much as we can, but the economic situation in Greece has effected all of us making it more difficult for us to invest the maximum in the band. But this year we played a couple of shows in Athens and Cyprus and now we focus on composing music and of course try to play anywhere we can.

6.         What are your thoughts on the current Hard ‘N’ Heavy scene? Are there any new bands that you like or you just stay faithful to the old school stuff?

- Personally I think that heavy metal is constantly evolving. There are bands mostly in the underground that play extraordinary music but they don’t have the chance to be heard by a larger audience. A band that blew my mind was Unexpect from Canada with their latest album. Also Diablo Swing Orchestra from Sweden with three great albums is a band that stands out. From the old school stuff I will always enjoy bands like Warlord, Crimson Glory, Jag Panzer and many more.

7.         How’s the Hard ‘N’ Heavy scene nowadays in Greece? What bands would you like to highlight?

- I have to be honest. The scene in Greece has a tremendous versatility with bands playing all kinds of metal. But despite the fact that we have plenty of bands with quality, the fans aren’t very supportive. We have been in the situation playing with three other very good bands and there is an audience of fifty people, most of whom to be friends and relatives. To make some success here you have to be re-introduced after you make a buzz in the rest of the world. Obligatory army service and the fact that it applies here conscription for at least a year, is something that pulls back all the bands. These things have made all the domestic music products unattractive to companies that mostly believe that the Greek bands do not work enough or are not willing to sacrifice what needs to touring etc. And now we have and the economic crisis so you get the picture. Personally I distinguish Dustynation from Thessaloniki, Planet of Zeus from Athens, Innosense from Larisa, they all are great bands and I believe that at some point they will stand out.
 
8.         One final question, music off-topic, and it concern the sign of times, since you’re from Greece and I’m from Portugal, both countries economy is totally ruined. What’s your take on what’s happening in Greece and the rest of Europe nowadays?

- Very interesting question, since I deal a lot with political and economic developments. The situation in Greece is dramatic due to a wrong policy applied by the wrong people, driving more and more Greeks into poverty and strengthening extremist elements. I personally am in favor of the European Union provided that it operates with policies in favor to growth. But at this moment Germany is following the line of austerity, which is obvious who it actually serves. In Greece, the IMF seems to try to impose a program that is sure to fail in order to pressure Germany and the ECB to move into new haircut of debt, but unfortunately this will only burden us. They are trying to do something similar with Portugal. Of course the situation in Greece is burdened by years of corruption, the client regimes and social lethargy which led to a situation that can hardly be changed. The point is that if they do not find a quick political solution, the crisis will soon hit the French economy and then the game will end. I hope that there is light at the end of this tunnel and that we and you will still manage to overcome the crisis with as little sacrifice as possible.

9.         Thanks a lot for your time. Do you want to leave a final message to the Portuguese Metal fans?

- I thank you for the very interesting interview. First of all I would like to wish the Portuguese people to endure this difficult situation. Always listen to heavy metal and special thanks to those of you who liked our album and supported our band. The rest of you, give us a chance, I think we play good music that can satisfy fans of all kinds of metal. It would be great some day to play in Portugal. Hails to you all!!!


Interview by: Ricardo dSdS
Answers by: George Tsinanis (drums)

http://www.heathendom.gr/ / http://www.myspace.com/heathendom / http://www.facebook.com/heathendom / http://metal-on-metal.com/bands/heathendom/

Saturday

Sophicide (Adam Laszlo) - Interview

        By personal experience, when it comes to one-man bands I’m really put off because most of it is just crap (95% being trve necro black metal recorded in the guys basement). However, Sophicide is a completely different matter. First of all, congratulations for such an astonishing album. Tell us a little bit about the whole process (composing, recording, production). Did you play all the instruments in “Perdition Of The Sublime” or did you have some help?

Thank you, I'm glad you enjoyed it! On this album I did everything on my own, the drums are only sampled though. The songs emerged over a period of about 3 years, ever since I released the "The Art Of Atrocity" EP in 2009, which I produced on my own as well. Things went down very well before, so I decided to take the production in my own hands again. So noone helped me throughout the production really, I basically learned all those things through tutorials and just trying around a lot over the years that I've been doing this.
        As far as I know, because I don’t have access to the lyrics, “Perdition Of The Sublime” deals with an interesting theme. Can you lead us into the lyrical concept of the record, including the name of the project Sophicide?

The main topic of POTS is the intellectual decay of society. A big part of this is religion in my opinion and more generally speaking every institution that tries to impose a certain belief system on others claiming it to be the only true one. People seem to have a propensity for not thinking for themselves and letting others decide. Obviously other people exploit this characteristic and I think especially in our times it's more important than ever to be sceptical and question everything.
The name "Sophicide" can be translated to something like "murder of wisdom", which pretty much coincides with the meaning of the album title.
        Although this is, basically, a Technical Death Metal record, there are lots of other influences, ranging from Neoclassical Metal to, lets’ say, score soundtracks. Which bands do you listen to that actually influenced your work in Sophicide?

I listen to a lot of bands and actually I believe that all of them somehow influence my songwriting in general, even if only subconsciously. But to name a few big influences, I love Opeth, The Faceless, Necrophagist, Periphery, but also John Williams for instance, who is a genius obviously.

        How did you come in touch with Willowtip / Hammerheart?

After I released the first Sophicide EP it got about to some degree through some underground metal blogs, stuff like that. Some weeks after that, Willowtip contacted me and offered me a deal, and I signed it. I was pretty stoked about the whole thing, I didn't really expect anything like this to happen.
        Is this a studio only project or are you planning on recruiting some musicians and play some live shows?

I'm actually looking for musicians right now. My friend Sebastian Bracht already joined me on guitar and backing vocals, I will be playing guitar, as well as the main vocals. So we're still in search for a drummer and a bassist, but we already have some candidates.
        What are your plans for the nearest future? A new Sophicide record or a different project?

The next big goal is definitely to complete our lineup and play live as soon as possible. We're really anxious to hit the stages!
        That’s all for now and, again, congratulations for such an astonishing record. Do you want to leave a final message to the Portuguese metalheads?

Thank you! I usually take these opportunities to cite the great Charles Chaplin: "Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness!"

Hammerheart Records / Willowtip / Sophicide (Myspace) / Sophicide (Facebook)

A Forest of Stars - Gatherer of the Pure [official music video]

Tuesday

The Few Against Many – SOT (2009) – Pulverised Records

The Few Against Many é um novo projecto Sueco fundado pelo vocalista Christian Älvestam (ex-Scar Symmetry, Unmoored, Torchbearer). E se a menção a Christian não basta para vos chamar a atenção, aqui ficam os restantes nomes que fazem o line-up: Pär Johansson (Satariel, Demiurg), Patrik Gardberg (Torchbearer), Jani Stefanovic (Miseration, Solution .45) e Anders Edlund (Incapacity, Angel Blake). Além disso temos direito a letras pelas penas de Mikael Stanne (Dark Tranquililty) e Jonas Renkse (Katatonia, Bloodbath). “SOT” reúne 8 temas em 36 minutos de um Death Metal bem brutal e intenso, mas melódico e técnico quanto baste. Uma forte componente sinfónica bem encaixada e toques progressivos / técnicos apimentam a coisa. E falando no conteúdo lírico, este é quase na sua totalidade escrito na língua materna dos músicos, o Sueco, o que dá um tom mais exótico à música de “SOT”. Resta ainda referir que a capa foi desenhada por Dan Seagrave, responsável por capas de discos de Morbid Angel, Emtombed, Dismember ou Suffocation. Gostei muito do que ouvi e recomendo vivamente a fãs de nomes como Scar Symmetry, Torchbearer, Soilwork, Dimmu Borgir, Mnemic, Raunchy, Strapping Young Lad, entre outros. 90% www.myspace.com/thefewagainstmany / www.pulverised.net
RDS

RELAPSE RECORDS

Já estou a começar a ficar farto destes promocionais com os temas divididos em 99 faixas. Isso e as editoras que agora teimaram em fazer promopools online e querem que a imprensa faça o trabalho todo (fazer o download, escrever a crítica, entrevistas, enviar os links e/ou cópias de todo esse trabalho). Sinais dos tempos. Para os jornalistas que são pagos para fazer esse trabalho, óptimo. E as pessoas, como eu, que fazem tudo isto no seu tempo livre, à borla, apenas pelo gosto à música? Isto tudo para quê? Para dizer que tenho em mãos 5 CD-Rs (sim, nem são CDs originais) com as malditas 99 faixas. Adiante, aqui vão umas linhas rápidas sobre isto e sigo para outros. Sim, porque ainda há pessoal que envia “the real thing” e merece um “tempo de antena” mais prolongado.

Antigama “Warning” (2009): Brutal! Simplesmente brutal. Grindcore com apontamentos que vão desde o Death ao Crust, algum Industrial / Noise pelo meio, passando ainda por material mais avantgarde e técnico. Metam no mesmo caldeirão Nasum, Cephalic Carnage, Pig Destroyer, Messhugah, Voivod, Napalm Death e Disrupt. Rápido, pesado, técnico, intenso, sufocante. É assim o som Antigama. 90% http://www.antigama.net/ / www.myspace.com/antigama

Buried Inside “Spoils Of Nature” (2009): Já tinha gostado muito do anterior “Chronology”. Este segue uma linha similar, mas está mais cru, denso e pesado. Para quem ainda não conhece, os Buried Inside anda pelos territórios do Post-qualquer. São 8 temas que assimilam influências de nomes como Neurosis, Isis, Pelican, Cult Of Luna ou Mogwai. E passo ao seguinte porque estar a olhar para faixas de 7 segundos faz-me doer a cabeça. 75% http://www.buriedinside.com/ / www.myspace.com/buriedinside

Obscura “Cosmogenesis” (2009): Ex-membros de Pestilence e Necrophagist reunem-se para gravar 10 temas de Death Metal técnico com muitos toques progressivos e avantgarde. Muito peso, brutalidade, alguma melodia a acompanhar. Gostei do que ouvi. Para fãs de Cynic, Atheist, Pestilence, Watchtower, Death e Cannibal Corpse. 85% www.myspace.com/realmofobscura

Tombs “Winter Hours” (2009): Trio Norte-Americano. Em 10 temas faz-se a fusão Post com Punk com Noise com Stoner com Black. Pesado, intenso, denso, e muito assente nos ambientes claustrofóbicos. Para fãs Killing Joke, Godflesh, Black Flag, High On Fire, Deathspell Omega, Today Is The Day, Isis, Boris e outros que tais. 75% www.myspace.com/tombsbklyn

Zombi “Spirit Animal” (2009): Sendo eu fã de bandas sonoras, o anterior trabalho destes Zombi havia-me agradado imenso. Bom gosto, têm estes tipos, pensei eu ao descortinar algumas das suas influências. Novo trabalho, mesmo estilo, um passo em frente. Aqui adicionam-se ainda algumas guitarras para dar outra dimensão ao som Zombi. Cinematográfico, progressivo, ambiental, psicadélico, espacial. Ainda não conhecem? “Shame on you”! Se gostam de Goblin, Tangerine Dream, Trans Am, Tool ou as bandas sonoras kitsch dos 70s e 80s (leia-se John Carpenter, exploitation, giallo, 70s horror, sci-fi, 80s low budget action, etc), este á uma opção apelativa. 90% http://www.zombi.us/

RDS