Showing posts with label Deathrock. Show all posts
Showing posts with label Deathrock. Show all posts

Wednesday

Gitane Demone – Life After Death (2DVD+CD) (2008) – Cult Epics

“Life After Death” é um duplo DVD que reúne gravações vídeo de Gitane Demone, a loira de tipo “femme fatale” que foi em tempos vocalista de Christian Death. As gravações datam de 1989 a 1998 e incluem videoclips, entrevistas, actuações ao vivo, reportagens de TV, performances “fetish”, entre outros. Entre estas pérolas incluem-se gravações com o malogrado Rozz Williams, tanto em dueto com G.D. como uma actuação da já referida banda Death Rock / Post-Punk / Goth. As gravações não têm imagem ou som perfeitos, pertencendo todas elas à geração VHS e HI8, exibindo as reportagens de TV, inclusive, os logótipos das estações e até legendas embutidas. Mas isso não é o mais importante neste registo, servindo o seu propósito maior de antologia visual e sonora desta senhora ainda no activo. Aliás, esse aspecto visual, ao qual podemos chamar retro, atribui ao conteúdo de “Life After Death” um certo ar “old school” e “undeground” que me agrada particularmente. E se 210 minutos de vídeo não bastassem, a caixa limitada a 2500 exemplares inclui ainda um CD intitulado “Times” e um livrete de 12 páginas com memórias contadas na primeira pessoa. “Times” inclui 40 minutos de versões, na sua maioria de “standards” do Jazz, inéditas até à data, e que abraçam um período que vai desde 1989 até 1996. Um documento indispensável para os amantes da cena Death Rock, Goth, Dark e Avantgarde Jazz. 90% http://www.cultepics.com/ / http://www.gitanedemone.com/
RDS
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Rozz Williams & Gitane Demone - Sleepwalk

The Deep Eynde – Blackout: The Dark Years (2008) – People Like You

Os Death-Rockers Californianos The Deep Eynde regressam às edições com uma retrospectiva que inclui um CD com 18 temas e um DVD com todos os promo-vídeos, entrevistas, material ao vivo, etc. Infelizmente não tenho acesso ao DVD, por isso vou apenas centrar-me no CD que tenho em mãos. Aproveitando bem a capacidade máxima do formato, a banda encerra 18 temas em cerca de 79 minutos de música. Fusão de Punk, Goth, New Wave e Psychobilly, a sua sonoridade pode denominar-se de Death Rock. Devendo mais ao cenário gótico do que ao Punk, os Deep Eynde vão também beber muito à cena alternativa dos 80s. “Blackout: The Dark years” é a celebração de 15 anos de escuridão, depressão, e angústia. Um tema novo, “My Darkest Hour” abre as hostilidades seguindo-se títulos como “Red Necklace”, “Voodoo Baby”, “Swingtime” ou “Road Rash”, entre outros. Para fãs de Misfits, The Mission, The Cure, Damned, Lords Of The New Church, Samhain, Siouxsie And The Banshees, Flesh For Lulu, AFI, Bauhaus ou Depeche Mode. 85% http://www.deepeynde.com/ / www.myspace.com/thedeepeynde / http://www.peoplelikeyourecords.com/
RDS
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The Deep Eynde - She Likes Skulls
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The Deep Eynde - Space Invaders

Six Feet Under – Death Rituals (2008) – Metal Blade

Novo trabalho para os Six Feet Under. Em pouco mais de 49 minutos, divididos em 13 temas, a banda liderada por Chris Barnes condensa tudo aquilo que já fez no passado. Desde o Death Metal old school de contornos Gore, passando pelo material mais groovy com tendências Hardcore, até ao Rock ‘n’ Roll mais sujo de vocalizações guturais, há um pouco de tudo em “Death Rituals”. Depois de um par de trabalhos mais fraquitos, a banda Norte-Americana volta à boa forma com “Commandment” em 2007, e esta nova proposta não lhe fica atrás. Não os vai fazer ganhar muito mais fãs do que aqueles que já têm, isso é certo, mas é um fantástico disco que não vai desiludir os já rendidos às peculiaridades dos SFU. 85% http://www.sfu420.com/ / www.myspace.com/sixfeetunder / http://www.metalblade.de/
RDS
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Six Feet Under - Doomsday (Commandment, 2007, Metal Blade)
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Six Feet Under - Seed Of Filth (Death Rituals, 2008, Metal Blade)

Tuesday

The Rotted - Interview

1 – New record, new band name. Why did you decided to change the name from Gorerotted to The Rotted?
It’s basically due to a combination of things that have made it clear to us that we’re not Gorerotted anymore. There’s only Tim and me left from the first album now, our sound has expanded hugely, the gore lyrics have gone and it just feels like we’ve done everything we wanted to with Gorerotted. Starting again as The Rotted has given us all a new enthusiasm and a new sense of freedom, and any limitations Gorerotted had put on us have gone. We’ve laid our old band to rest in a respectful manner, and we’ll always be proud of the things we did in those days, but now we’re looking to the future.

2 – Are you satisfied with this new album “Get Dead Or Die Trying”, the songs, the recording process, production, final product?
Yes, very, when we were in the rehearsal studio at the beginning of the year the songs just took on this whole new life. I don’t think any band should release an album that they’re not totally satisfied with and that doesn’t feel completely relevant to them. We’re all 100% behind this album and everything that went into it

3 – In the recording process you worked with producer Russ Russell and James Dunkley. How did you ended up working with them? Are you satisfied with their work?
We found a video documentary about Russ on the internet when we were looking for producers, and after watching him talk about his work and after seeing how much enthusiasm and skill he has, we knew we wanted to work with him. We wanted a crisp and clear production, but we didn’t want a robotic, lifeless production like a lot stuff we hear these days, when everything’s been totally processed. This sounds like a band playing, it’s a very organic record, very intense, and very aggressive. But it’s also very catchy and musical too.

4 – Right now, your music is a blend of several styles, Punk, Crust, Thrash, Death, Grind, Black and even some Classic Rock and Heavy Doom. Which bands do you listen to and influence you to write music for The Rotted? And books? And movies?
There’s no specific bands that we’ve taken ideas from, it’s not been a case of hearing someone doing something that we like and then trying to incorporate it into our work, but more the fact that the styles we’re all into is obviously going to have shaped the way we write, so our music’s basically a mix of extreme metal, punk and rock, or any decent guitar-based music, like you said. I don’t feel anyone should surpress anything when writing, I think all of your personality should go into your music, and if you’re into a range of styles, you shouldn’t discount certain ideas just to fit into a specific genre or to appeal to a specific group of people. Write from the heart and write what you believe in and your music will come out interesting and passion filled.

5 – “Get Dead Or Die Trying” is a funny title (and so are some of the song titles). What does it means? What kind of subjects influenced you to write the lyrics for this record?
It’s basically the idea that in order to live a fulfilling life on this earth, we sometimes do things that are bad for our mental and physical wellbeing. It’s something we’re all guilty of, it’s kind of like the whole ‘killing yourself to live’ idea. It sums up the ideas behind pretty much every song on the record. Lots of things that have actually happened to me have influenced what I write, it makes much more sense that I tell of the horrors of reality than of made up horror and violence. Speaking of things I’ve experienced first hand means I can offer a more genuine and intense performance than if I were to simply sing about made up subjects I have no real experience of.

6 – The cover artwork by Mick Kenney is awesome. I don’t know why but it reminds me of 77 Punk style and, mainly, Sex Pistols. What does it mean? Is it connected somehow with the lyrics?
It’s based on the lyrics to the song Get Dead Or Die Trying, it’s about being out on the street, alone, broke, desperate and just not wanting to be a part of the society that walks on by, but instead drinking yourself to death and taking the easy way out. The British flag is there because we have a very British sound, and we’re paying homage to the incredible metal and punk bands that were spawned on our tiny island. My lyrics are about life here in London, so it fits with us perfectly

7 – Do you have a tour prepared to promote the record?
We have some summer festivals like Wacken and Summer Breeze, but right now we’re working on a full European tour. We want to take this album to as many people as possible and we’re all very focused on just getting back on the road right now.

8 – You have now some space for a final message.
I’d like to say thank you to everyone who’s supported us over the years, especially those who can see what we have done as being a positive thing. I hope everyone new to the band will get a chance to see us live and have as good a time as we always do. We’ve only been to Portugal once but we’d love to come back and party with you guys again.

Questions: RDS
Answers: Ben McCrow, Vocals

www.myspace.com/therotted / www.myspace.com/gorerottedmetal / www.myspace.com/mbpreview / http://www.metalblade.de/ / www.myspace.com/metalbladeeurope

Sunday

The Rotted – Get Dead Or Die Trying (2008) – Metal Blade Records

Devido a diversas mudanças de formação, e até de sonoridade, os Britânicos Gorerotted decidiram mudar o seu nome para The Rotted (como já eram apelidados pelos fãs). Novo nome, novo trabalho, nova sonoridade, nova vida. Apesar de todas estas mudanças não se pode falar propriamente de uma viragem brusca, mas sim de uma progressão natural em relação a aquilo que tinham vindo a fazer. “Get Dead Or Die Trying” é, portanto, o digno sucessor do anterior “A New Dawn For The Dead” (Metal Blade, 2005), afirmando um passo em frente no som Rotted mas sem esquecer o passado.
Punk, Crust, Death, Grind, Black, Doom Rock, tudo faz parte da amálgama sonora dos The Rotted, passando as influências pelo Death / Grind / Gore de nomes como Cannibal Corpse, Napalm Death, Carcass; pelo Punk / Crust de Discharge, Exploited ou GBH; ou até o som mais tradicional de Motörhead ou Black Sabbath.
Fantásticas ideias retiradas de todos os quadrantes musicais já referidos; riffs ora mais viscerais ora mais técnicos; secção rítmica extremamente técnica, complexa e versátil; voz também ela muito versátil; são estes os ingredientes que formam a música dos Rotted, tudo encimado por um som consistente, poderoso e limpo mas com aquele toque cru e visceral necessário ao género. A gravação, mistura e masterização de Russ Russell (Napalm Death, Exploited, Lock Up, Dimmu Borgir) são uma mais valia para esse resultado final. Russell foi ainda assistido nas gravações por James Dunkley (Blaze Bailey, Crass, Fields Of The Nephilim, Crowbar). Quanto à capa, responsabilidade de Mick Kenney (Gorerotted, Napalm Death, Annal Nathrakh), não sei porquê mas faz-me lembrar o Punk de 77, em especial os Sex Pistols mas, de certa forma, encaixa na perfeição no som da banda.
O anterior disco já era um portento da música extrema do século XXI e, pensava eu, era quase impossível de ultrapassar mas os Rotted conseguiram-no com este “Get Dead Or Die Trying”. Um dos melhores discos de música extrema que tive o prazer de ouvir nos últimos anos. Recomendo vivamente! 95% www.myspace.com/therotted / www.myspace.com/gorerottedmetal / www.myspace.com/mbpreview / http://www.metalblade.de/ / www.myspace.com/metalbladeeurope
RDS

Friday

Soilent Green - Interview

1 – New record, new label. How did you ended up signing with Metal Blade? Are you satisfied with their work with the band so far?
Very satisfied, they have done an amazing job for us. We had finished up our contract with Relapse and we both had a mutual feeling of wanting to part ways. A lot of the folks at Metal Blade have been fans for years, so they swooped in and we are completely happy with the change so far.

2 – Are you satisfied with this new album “Inevitable Collapse In The Presence Of Conviction”, the songs, the recording process, production, final product?
Yeah we are very proud of the new record. The recording process was our smoothest ever. I was all just a real good time. WE had a lot of drama we had to come to terms with and this album was a way to leave all the negativity behind. A true cleansing.

3 – The album was produced by Erik Rutan. How did you ended up working with him? Are you satisfied with his work?
We are more than satisfied. We have been friends with Erik before he recorded us. We met him when we toured with Morbid Angel and hit it off. We talked then about recording us. Once we did Confrontation with him we knew would want to go back and this time it went even smoother. He has the ability to record the organic tones that we like. He is an awesome producer and friend.

4 – Your music is a blend of several styles, from Grindcore to Death, from Sludge to Southern Rock, from Punk to 70s Heavy Rock, and even some Funk Rock. Which bands do you listen to and influence you to write music for Soilent Green? And books? And movies?
I usually lately have been listening to anything but metal to get my influences. A lot of blues and r/b, also I’m a huge jazz fan. Al Green, Curtis Mayfield. Coltrane, Miles Davis, Charlie Patton, Howling Wolf are a few of our favourites. Movies and books I read are not really direct influences on our music.

5 – “Inevitable Collapse In The Presence Of Conviction” is a strange title (and so are the song titles). What does it means? What kind of subjects influenced you to write the lyrics for this record?
It is the basic idea of no hope. We have had a lot of drama in our history so at the time we had a feeling of why are we still doing this. We had to dig a little and realize why we even started, for the love of playing music. As far as the actual lyrics that is Ben’s department. I just write the music and let him do his thing.

6 – The cover artwork for this record is awesome but quite enigmatic. Who is responsible for the frontcover and what does it mean? Is it connected somehow with the lyrics?
The cover was done by John Van Fleet. He’s a huge icon in the U.S. comic industry. We are old comic nerds so it was an honour to work with him. It is connected somewhat to the concept of no hope. The actual cover is only one out of the three that John did for us. The girl in flight is connected to the very machine that is giving her that gift, symbolizing that no matter how hard you try you are set up for failure.

7 – Do you have a tour prepared to promote the record?
We have been on tour for about 9 weeks so far. We Played with Erik and Hate Eternal then went straight to Death Angel and Godforbid, And now we are with Dethklok. We are doing the only show of the Ozzfest too. We are really happy to be able be still be doing what we do twenty years in.

8 – You have now some space for a final message.
Well thank you for your time. And I guess just that if you did what we do then please if you have the chance come see us live. We like to pride ourselves as a live band and feel that is where we are most comfortable. Thanks again CHEERS!

Questions: RDS
Answers: Brian Patton (Guitar)

http://www.soilentgreen.net/ / www.myspace.com/soilentgreen / http://www.metalblade.de/

Thursday

Soilent Green – Inevitable Collapse In The Presence Of Conviction (2008) – Metal Blade Records

Os Norteamericanos Soilent Green estão de volta com um novo trabalho de estúdio. Desta vez a edição é feita via Metal Blade, a sua nova editora. São 11 novos temas, em cerca de 42 minutos, de fusão Death, Grind, Sludge, Stoner, Southern Rock e Hardcore. A produção do disco esteve a cargo de Erik Rutan, por isso, já sabem o que esperar em termos de som. Um som poderoso quanto baste mas limpo o suficiente para ouvir tudo o que se vai passando neste “caos” sonoro. Confesso que a primeira vez que ouvi estes SG, há dez anos com “Sewn Mouth Secrets” (1998), achei estranha a fusão de estilos. Hoje já estou mais “calejado” nas diversas vertentes exploradas pela banda, daí já conseguir desfrutar na sua plenitude a descarga Grind / Sludge. Pesado, poderoso, brutal. Ora mais rápido nas descargas Grindcore, ora mais balançado e groovy na vertente Sludge / Southern. As restantes influências dão ainda outra cor ao quadro geral. Um disco ao mais alto nível daquilo que a banda consegue fazer. Aconselho vivamente aos fãs da banda e a fãs de música extreme em geral! 85% http://www.soilentgreen.net/ / www.myspace.com/soilentgreen / http://www.metalblade.de/
RDS

Blood & Roses – Same As It Never Was: The Collection (2007) – Anagram / Cherry Red

Mais um excelente disco por parte da Cherry Red que recupera material perdido no tempo. Esta faz parte da sua colecção Goth Collectors Series e estamos a falar dos Britânicos Blood & Roses. Ao todo são 21 temas de Gothic Deathrock que abraça diversas fases da banda. Inclui-se aqui o álbum “Enough Is Enough”, na sua totalidade, junto a temas de EPs, compilações e raridades. Entre as faixas encontram-se ainda duas versões de temas de bandas sonoras de John Carpenter. Típico Rock Gótico Britânico da primeira metade da década de 80, com uma forte componente roqueira, ambiente negros e densos, tudo complementado por voz feminina. A complementar a música temos ainda um texto escrito pelo guitarrista Bob Short, discografia e fotos. Mais uma descoberta que acabei de fazer e que me agradou imenso! Goth Rockers por esse mundo fora, esta é uma compra obrigatória! RDS
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